Die Labelnummer DDI 3332 aus dem Jahre 1995 war und ist etwas ganz Besonderes im Katalog the drag and drop labels: A publication of the Frenchman Jean-Marc Vivenza, a man who is for the term "legend" entirely appropriate:
Active since the early 80s he is safe in its importance to the industrial music in to see a league with acts such as Esplendor Geometrico, Etant Donnes, Le Syndicat. He stands with his strictly black-white-red cover designs and his consistently "bruitistischen", ie machine-minimalist sound art for a distinctive individual style.
The CD "Fondement Bruitiste" includes the two pieces of the same single of 1984, the four Pieces of the 1985 tapes "Essentialité Métallique" and an exclusive track (which had previously been only in modified form on a non-generating adjustable tape sampler).
mercilessly drilled the monotony of industrial work in the ears, devoid of musicality in the true sense and driving rhythms to create a fascinating, rigorous structure of the noise, which ultimately seems to dissolve into a dehumanized, unpleasant, comfortable acoustic backdrop. Advanced Listening, but extremely rewarding, I am hereby officially oute fan
A posting on Vivenza would hardly be complete without pointing auf die dunkle, bzw. in diesem Falle braune Seite dieses Herrn: Denn tatsächlich scheint er in den 90ern mit seinem zweiten Standbein, der Philosophie, am rechten Rande auffällig geworden zu sein. In bester Tradition des Futurismus huldigte er in diversen Pamphleten einer technokratischen, allein dem Fortschritt verschriebenen Gesellschaft und der Abkehr von den aufklärerischen Prinzipien der Menschenrechte und geriet somit in die Zirkel der intellektuellen Nouvelle Droite.
Da sich Vivenzas schriftstellerisches Wirken rein auf den französischen Raum beschränkt, war uns damals von alledem schlichtweg nichts bekannt, und genaue Informationen über den Inhalt seiner Schriften sind eigentlich bis heute nicht aufzutreiben - At that time, pre-Internet, certainly do not. Whether the CD would still be released, but I can not answer.
sure but I would have considered very carefully whether I had in 1995 with a friend a gig Vivenza of all the autonomous center organized (!). In retrospect, I am very happy because the Lord was by no means a creep, but very personable and friendly, although somewhat conservative, a sort of external Ralf Hütter with underground patina.
fits also for his show of comparison, a kind of mixture of plant and Vincent Price as Dr. Phibes - breathtakingly awesome!
When scouring the Internet, there are indications that Vivenza has now published his work entirely in the realm of philosophy - and to be in his thoughts now reached just to Buddhism.
can actually tell me that with less remorse pleased that the French label Rotoreliefs currently doing what drag and drop no longer did: even the other Backcatalogue von Vivenza veröffentlichen.
Vivenza - Fondements Bruitiste by atomfan
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